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Cleo was a cocky, loud, swaggering butch. While lesbians claimed “Thelma & Louise” as their own from subtext alone, “Set It Off” gave audiences the Queen Latifah of their dreams. Fox, Jada Pinkett Smith, Queen Latifah, and Kimberly Elise as four friends who become bank robbers, each for their own reasons. In the great tradition of “9 to 5” or “Thelma & Louise,” but with three of the most popular black actresses of the time, “Set It Off” remains unrivaled today. As both women make do with the hand life has dealt them, they discover passion in the shared struggle. Min-hee Kim is prim and alluring as Lady Hideko, never fully dropping the facade even as she falls for her spirited handmaiden, Sook-Hee (Tae-ri Kim), who is tasked with conning her out of her inheritance.
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Chan-wook elevates the book’s tawdry elements to fetishistic extremes, turning out an erotic thriller every bit as gorgeous as it is sinister. But changing the setting from Victorian England to Japanese-occupied Korea was a brilliant move, and one that infused this cold mystery about a con man and the two women he embroils in his plot with untold beauty. When South Korean auteur Park Chan-wook chose as source material the lesbian historical fiction novel “Fingersmith,” by Welsh author Sarah Waters, it seemed a little out of left field. “Heavenly Creatures” (Peter Jackson, 1994) It’s stupidly fun, sweetly romantic, and a lot more subversive than it gets credit for. are chosen by their answers questions hidden in an SAT-like test. Set at an underground government academy for teen super spies, the D.E.B.S.
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A forbidden love story between a teen spy and an evil but hot international diamond thief, the movie features early performances by Jimmi Simpson (“Westworld”) and Jordana Brewster (“The Fast and the Furious”). “D.E.B.S.” (Angela Robinson, 2004)Ī clever action parody that was much smarter than its mainstream marketing campaign understood, “D.E.B.S.” is like a queer “Charlie’s Angels” set at the school from “But I’m a Cheerleader,” with broader commercial appeal. The movie pulses with the rhythm of first love and the cost of self-discovery. Cinematographer Bradford Young (“Arrival”) films Alike’s first nights out at the club in rich, saturated colors. We melt alongside Alike as she lights up with the first tingles of love, seeing herself for the first time through the desiring eyes of Bina (Aasha Davis). The camera practically aches as Alike changes out of her baseball hat and t-shirt on the train home to Brooklyn, donning a girly sweater in order to calm her parents’ suspicions (Kim Wayans and Charles Parnell). Humming with the electricity of repressed sexuality finally breaking free, “Pariah” follows teenage Alike (Adepero Oduye) as she embraces her queerness and masculine gender expression.
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“Pariah” (Dee Rees, 2011)Įvery filmmaker gets her crack at a coming-of-age story that mirrors their own, and those stories take on increasing significance when coming from rarely seen perspectives. Without further ado, here are the 15 best lesbian films ever made: 15. Quentin Tarantino's Last Movie: 18 Unmade Projects That Could Be His Final Film
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'Loki': Everything You Need to Know About Marvel's Disney+ Series The 35 Best LGBTQ Movies of the 21st Century It’s a list as colorful and varied as the queer community itself. Some won awards others reached cult status long after their releases. These movies reclaim all of that they’re the movies you will see played on a loop in the club, or at an underground rooftop movie night. Too often, lesbian characters are either unattractive man-haters or used for titillation. Ultimately, the best lesbian films honor the traditions of queer cinema in all of its glory: Strong women, high entertainment value, and bold visuals reign supreme. Must the film focus primarily on a gay storyline, or can it feature strong lesbian characters doing something entirely different than just being lesbians? Is subtext enough? How much cinephile wrath will rain down on us for the absence of a certain recent Oscar nominee? Narrowing down the 15 best movies in any genre is tough, but for lesbian films you have to begin with a reductive question: What is a lesbian film? What, in fact, is a lesbian? (But that’s a different piece).